creative writing – The Trailer Park MFA

Depicting Abuse in Fiction

This week I read an essay by Christopher Noël titled “Keeping Open the Wounds of Possibility: The Marvelous, the Uncanny, and the Fantastic in Fiction.” It was an approachable, hands-on review of ideas from the Russian Formalists (especially defamiliarization) and Wolfgang Iser (especially the reader and author co-creating the text). But I liked it mostContinue reading “Depicting Abuse in Fiction”

Let Characters Be Complex

This week I’m thinking about a point George Saunders made on the value of digressions in fiction. In his book on creative writing A Swim in a Pond in the Rain, he wrote that stories must “self-complicate, and thus avoid being merely a one-dimensional position paper” (335). However, when writing the first draft of aContinue reading “Let Characters Be Complex”

Submission Spotlight: The Chicago Review

Their door is open for fiction and poetry submissions until June 15 (nonfiction submissions are open year-round), so if you’re looking to publish a story, now’s the time! The Chicago Review accepts work through their Submittable page, where you can also set up a free Submittable account if you haven’t got one already. The downside?Continue reading “Submission Spotlight: The Chicago Review”

How Humility Will Help Your Writing

It had been over 15 years since I workshopped my writing, but this winter I got a shot with a new critique group. One of your first questions might be how I did that. The internet is thick with posts about finding a great critique group, and I can’t imagine I’d have much to add.Continue reading “How Humility Will Help Your Writing”

Story Structure Reflects Your Worldview

Woman looking through binoculars while standing beside water on a cloudy day

So last week I tried this wacky writing exercise I came up with. Wacky, because it’s time consuming. (If you’re feeling wacky, too, you can check it out on the Fiction Workshop syllabus under Week 4). Basically, I took a short story that wasn’t working. Well, okay, fine. It sucked. It really, really sucked. ButContinue reading “Story Structure Reflects Your Worldview”

Forget Finding Your Voice, Find Your Subject

A woman with a shaved head shouting against an abstract, colorful background

All this hand-wringing over writers finding their voice. Find your voice, writing instructors told me. Here’s how to find your voice, craft talks assured me. Once you find your voice, it will unlock everything, writing books promised. I’m starting to question, though, that voice is the big deal everyone seems to think it is. I’mContinue reading “Forget Finding Your Voice, Find Your Subject”

Fiction Seminar Textbooks: Part 2

Well, it took me long enough! But I did finally get around to finishing and reviewing my final three textbooks from last semester’s fiction seminar in the Accessible MFA. If you’re looking for books on writing craft and philosophy, check out the titles below to see if any of these sound good. (And by theContinue reading “Fiction Seminar Textbooks: Part 2”

Ableism and Classism Underlie the MFA Model

Every few years, a white man in the mainstream literary community publishes a curmudgeonly piece about how entitled, lazy, and whiny creative writing students can be. They often point to these qualities as the only things that hold back writers, aside from another likely possibility: a lack of talent. Recently, I came across just suchContinue reading “Ableism and Classism Underlie the MFA Model”

Three Literary Journals to Try If You’re New to the Neighborhood

Nineteen years ago, I served as literary editor for my college’s literary journal. It was a fun, demanding job that gave me a deep appreciation for the slush pile. For those new to this, a slush pile is a stack of writing that nobody asked you to send. But you sent it anyway. And backContinue reading “Three Literary Journals to Try If You’re New to the Neighborhood”

Fiction Seminar Textbooks: Part 1

It’s been a whirlwind of a semester. I had six textbooks, so today I’m going to share my thoughts on the first three. These are from the Art of series by Graywolf Press, edited by Charles Baxter roughly 14 years ago. Since an MFA student first recommended The Art of Subtext to me, I’ve beenContinue reading “Fiction Seminar Textbooks: Part 1”