creative writing – Page 2 – The Trailer Park MFA

Three Elite Literary Journals for Your Bucket List

Before you get all hopeless about breaking into literary journals, let’s do a reality check. If you’re getting nothing but rejections, it might not be you. Well, I mean, it definitely is you. Literary journals aren’t responsible for breaking down our doors (or failing to do so) when they sense we’ve just hit “save” onContinue reading “Three Elite Literary Journals for Your Bucket List”

Three Literary Journals I’m Reading Right Now

One of my Accessible MFA assignments this semester is to read more literary journals. It’s a no-brainer: If you want to publish, you should read outlets where you’d like to see your work printed. But it’s also something I’ve just never got around to. Mainly because there are just SO. MANY. GODDAMN. LITERARY. JOURNALS. IContinue reading “Three Literary Journals I’m Reading Right Now”

Five Literary Theories and Their Limitations

This is going to be one of my last posts on literary theory, I promise. At least for a bit. Well, maybe until I finish reading David Herman’s essay “Narrative Theory after the Second Cognitive Revolution” (fascinating stuff about the mind itself as a product, as well as a producer, of discourse). We’ll see. ButContinue reading “Five Literary Theories and Their Limitations”

Fiction Seminar Syllabus

Half the fun of doing an Accessible MFA in Creative Writing is planning it. It’s been a blast to put together this latest course, and I think it fits well with the rest of my program. So today I’m sharing my plan for this semester. Of course, with chronic migraines, my semesters are all outContinue reading “Fiction Seminar Syllabus”

Spring Semester Scandal at My MFA

CONTENT WARNING Now that I’ve finished my literary theory class, it’s on to the next course in my Accessible MFA: a fiction seminar. Full disclosure, I copied a lot of this from novelist Lily Hoang’s syllabus, which she generously shared on HTML Giant. Of course I chose my own textbooks, set up my own schedule,Continue reading “Spring Semester Scandal at My MFA”

Why Safe Communities for Artists Matter

When I began my Accessible MFA last fall, I had two reasons. First, chronic migraines limit my functionality to the point that sometimes I can’t work for days, weeks, or even months. Keeping up with graduate-level coursework and meeting weekly deadlines is no longer possible. Second, I can’t afford it. With the struggle to workContinue reading “Why Safe Communities for Artists Matter”

What’s the Point of Literary Theory Anyway?

Literary theory is a trip. I just spent a year studying this for the first semester of my Accessible MFA. I watched Professor Paul Fry’s 26 introductory lectures at Yale. I created a JSTOR account (for free) so that I could read most of the assigned readings. And I bought The Norton Anthology of TheoryContinue reading “What’s the Point of Literary Theory Anyway?”

Preparing for the At-Home Writing Retreat

This will be my first staycation without a bouquet of flowers on my desk. But it will also be my first writing retreat in years. In fact, the next seven days will be the very first official writing residency of my Accessible MFA. So to say I’m excited, even with the complications of COVID-19, wouldContinue reading “Preparing for the At-Home Writing Retreat”

Those 2020 Writing Goals: One Month Follow-Up

So five weeks ago, I made a deal with myself. Write when chronic illness allows me to, but shoot for three to four days a week. And on those three or four days each week, just do what I can. If I can only write for five minutes, then that’s five minutes of jotting downContinue reading “Those 2020 Writing Goals: One Month Follow-Up”

When Literary Criticism Doesn’t Work

I first read James Wood’s How Fiction Works nearly ten years ago, shortly after it was published. And it hasn’t aged well. It probably didn’t help that the first time I picked it up, I assumed it was a volume of criticism from the 1950s or 1960s Reading it this time around for my MFA has been,Continue reading “When Literary Criticism Doesn’t Work”