To the Guy in My MFA Class* Who Believes Art “Has Nothing to Do with Race”

Since the 1930s Formalism has positioned literary art as independent of author, era, and even possibly meaning. It promises that if readers would just focus on structure, symbols, and tensions within the text itself, all will be clear. Although this approach still holds sway in literature and creative writing classes, Critical Race Theory has challengedContinue reading “To the Guy in My MFA Class* Who Believes Art “Has Nothing to Do with Race””

The Hazards–and Rewards–of Literature for the Feminist

Nothing like old love to remind you of who you have been, and who you have become. So I just picked up my favorite novel for yet another re-reading. At 17, when Mr. Hansen assigned All the King’s Men for my Honors English class, it was love at first sight. The first-person narrator, Jack Burden, ranks among AmericanContinue reading “The Hazards–and Rewards–of Literature for the Feminist”