To the Guy in My MFA Class* Who Believes Art “Has Nothing to Do with Race”

Since the 1930s Formalism has positioned literary art as independent of author, era, and even possibly meaning. It promises that if readers would just focus on structure, symbols, and tensions within the text itself, all will be clear. Although this approach still holds sway in literature and creative writing classes, Critical Race Theory has challengedContinue reading “To the Guy in My MFA Class* Who Believes Art “Has Nothing to Do with Race””

Literary Theory: The Class Everyone Loves to Hate

Different institutions give it various names. Narrative Strategies. Textual Strategies. Literary Theory. Readers and Writers. But whatever you call it, it’s usually one of the first required classes. It’s also the class I’ve heard the most MFA graduates groan about. What’s the point? I’m never going to use this stuff. So, here I am, making upContinue reading “Literary Theory: The Class Everyone Loves to Hate”